I love Halloween. This can be evidenced by the fact that I am wearing glow-in-the-dark pumpkin socks and eating a ghost cookie as I write. As soon as the calendar flips to October my apartment is fully decorated and I plan in as many spooky (but not scary, mind you) activities to make the most of this holiday.
I can’t really pin-point exactly what I love about it so much. I love the visual aesthetic of orange and black, not to mention the graphic style of vintage decorations. It could also be the child-like sense of fun in creating costumes and getting together with friends. Or it could just be the copious amounts of sugar. Who knows.
What I do know is that I can’t get enough and love to fill my days with Halloweeney things. Best way I find to do this is to infuse the spirit into my crafting. (Pun? I think so.)
This year, I happened to buy a loom and take up weaving in September. Loom weaving, especially wall hangings, has been on my radar for the last few years but I never jumped into it- I guess I had too many other crafts on my plate. Then this summer some really stunning work repeatedly popped up on my feed that I felt really inspired and connected to. I went to Etsy and got myself a loom, and an arm load of yarn to play with.
As hard as I tried to take a workshop with Lucy Poskitt while I was in Vancouver (I visited twice recently and BOTH TIMES she taught the day after I left) I didn’t take any classes to get started. I read a few tutorials, mainly from A Beautiful Mess, but I found it pretty easy to get the hang of it. Sure there are some basic techniques you need to know, but once you get those down, honestly the main skill required is patience.
This isn’t a quick craft, especially as your pieces get larger, but the creative possibilities are actually endless. You can play with geometry and colour blocking, gradient tones and abstract textures, or bold motifs. The bulk of what I’ve seen is abstract work, with lots of chunky elements and fringe, which is stunning, but I find that my default is lots of structure, uniformity and simplicity. My first few pieces were primarily geometric shapes, but the lightbulb went off for me when, in an ABM tutorial, Rachel said “think of shapes in pixels”. My mind rushed with words and shapes I could incorporate into more graphic style work.
And with Halloween coming up, there’s no better time to put that idea to work! I knew right away I wanted to play with some cute little ghosts flying around and sketched out some shapes. I found it quite helpful to design on grid paper to keep in the ‘pixels’ mindset. To ensure I kept true to my design, especially on the rounded shapes, I actually drew it onto my warp yarn with a sharpie, to act as a guideline. It might be cheating but it works!
I constructed most of the hanging using a basic basket weave (over one-under one) using contrast yarns for the ghosts and sky. I could have left it like that, but I picked up an amazing orange yarn from Rain City Knits in Vancouver and needed to incorporate it. I used it to add some extra texture and highlight elements. I was a little on the fence about it at first but I think it heightens the overall look. Makes it ‘pop’ if you will.
Like I said, weaving takes a lot longer to complete than you think. I would estimate there is about 6 hours of work in this little guy. But hey, what better way to binge watch Netflix shows. (I am all about Once Upon A Time right now… that’s kinda Halloweeney right?)
These little ghosties are now hanging in my ‘Halloween corner’ of my living room along with some spooky flowers, pumpkin lanterns and glitter bats and seems to fit right in.
Now that I’ve completed my fourth weaving, I can stay that I am quite enjoying it. I always loved the fluffy texture and the endless array of colour in yarn, but knitting and I still haven’t completely hit it off. I am already brainstorming many more things I could weave. The loom is relatively non-intimidating to experiment with in terms of design and techniques which is really nice.
Now I just need to get ALL the yarn! Muahahaha